Buster's handmade boat, The Damfino, is finished and is, of course, too large to get through the basement door. When he drives off with it in tow, the side of his house, then the whole thing, collapses. At the harbor he rides the boat out only to have it sink beneath him. The rest is a series of adventures he and his family have with the restored boat.
Morning reveals New York harbor, the wharves, the Brooklyn Bridge. A ferry boat docks, disgorging its huddled mass. People move briskly along Wall St. or stroll more languorously through a cemetery. Ranks of skyscrapers extrude columns of smoke and steam. In plain view. Or framed, as through a balustrade. A crane promotes the city's upward progress, as an ironworker balances on a high beam. A locomotive in a railway yard prepares to depart, while an arriving ocean liner jostles with ...
Sheik Ahmed desperately desires feisty British socialite Diana, so he abducts her and carries her off to his luxurious tent-palace in the desert. The free-spirited Diana recoils from his passionate embraces and yearns to be released. Later, allowed to go into the desert, she escapes and makes her way across the sands...
The Phantom Carriage
It's New Year's Eve. Three drunkards evoke a legend. The legend tells that the last person to die in a year, if he is a great sinner, will have to drive during the whole year the Phantom Chariot, that picks up the souls of the dead.
Our hero (Lloyd) is infatuated with a girl in the next office. In order to drum up business for her boss, an osteopath, he gets an actor friend to pretend injuries that the doctor "cures", thereby building a reputation. When he hears that his girl is marrying another, he decides to commit suicide and spends the bulk of the film in thrilling, failed attempts.